Saccharine (2026)
Saccharine is a 2026 horror movie directed by Natalie Erika James and Hannah Peel, with a running time of 1h 53m. It stars Midori Francis, Danielle Macdonald and Madeleine Madden.
Grief and appetite tangle in this feature of slow dread from Natalie Erika James. Hana, a lovelorn medical student, falls for a fringe weight-loss trend built around eating human ashes, and soon the dead do not stay quiet. The ghost of the person she is consuming begins to follow her, pressing in on a life already coming apart. Shot with the clammy patience that marks Australian horror, the film treats hunger as something closer to longing. Midori Francis carries the lead, with Danielle Macdonald and Robert Taylor around her. It premiered in Sundance's Midnight strand in early 2026.
Quick answers
What is Saccharine about?
Grief and appetite tangle in this feature of slow dread from Natalie Erika James. Hana, a lovelorn medical student, falls for a fringe weight-loss trend built around eating human ashes, and soon the dead do not stay quiet. The ghost of the person she is consuming begins to follow her, pressing in on a life already coming apart. Shot with the clammy patience that marks Australian horror, the film treats hunger as something closer to longing. Midori Francis carries the lead, with Danielle Macdonald and Robert Taylor around her. It premiered in Sundance's Midnight strand in early 2026.
When was Saccharine released?
Saccharine was released on 22 May 2026.
How long is Saccharine?
Saccharine runs 1h 53m.
Who made Saccharine?
Saccharine was directed by Natalie Erika James and Hannah Peel.
Where can I watch Saccharine?
Saccharine is available on Amazon, AppleTV and Fandango at Home.
Where to watch Saccharine
Rent: Amazon, AppleTV, Fandango at Home
Buy: Fandango at Home
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A few thoughts on Saccharine
Readers who like their horror intimate and physical should reach for Junji Ito's Tomie and Uzumaki, where obsession warps the body, and Tokyo Ghoul, which turns eating people into tragedy. Ira Levin's Rosemary's Baby, here as Semilla del Diablo, shares the creeping sense of a woman losing control of her own life. The series FROM delivers similar supernatural unease.
Ghosts that attach themselves and will not let go
In Saccharine, the ghost of the person Hana consumes begins to follow her, pressing into a life already falling apart. These horrors share that relentless haunting, a vengeful spirit that latches onto one victim and closes in no matter where they run. The dread is inescapable, a dead thing that treats the living as unfinished business.
Body horror where appetite turns monstrous
Saccharine builds its dread around a grotesque diet, treating hunger as something closer to longing until the body itself betrays. These titles share that visceral streak, body horror where eating, craving, or consuming becomes the source of the nightmare. Flesh, appetite, and transformation blur together, and the fear lives in the very idea of what goes inside us.
A life unravels as something dead moves in
Hana falls for a fringe trend while grief and a coming apart life leave her wide open to what starts haunting her. These horrors share that pattern, an unstable person invaded by a malevolent force that feeds on the cracks already there. The scares grow from vulnerability, with possession or dread creeping into a mind that cannot hold itself together.
Creeping horror that gets under the skin
Natalie Erika James shoots Saccharine with a clammy patience, letting slow dread build rather than chasing jump scares. These picks work the same way, unsettling horror across film and comics that seeps in quietly through mood, desire, and unease. They trade shock for atmosphere, the kind of creeping fear that keeps tightening long after the scene should end.