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Anthony Hopkins

Anthony Hopkins is an actor, born 1937.

Sir Anthony Hopkins is a Welsh actor with two Academy Awards, four BAFTA Awards, two Primetime Emmy Awards and a Laurence Olivier Award. He received the Cecil B. DeMille Award in 2005 and the BAFTA Fellowship for lifetime achievement in 2008, and was knighted by Queen Elizabeth II in 1993 for services to drama.

The famous thing is stillness. Hannibal Lecter in The Silence of the Lambs is mostly a man standing in a cell talking quietly, and Hopkins built the terror out of tempo: he strips out the small pauses where a human being would breathe, so every sentence arrives complete and unhurried, like something rehearsed. It was so effective that it became a cage. Hannibal (2001) and Red Dragon (2002) are a studio trying to manufacture a thing that only worked once, and Hopkins is visibly aware of it in both.

The rest of the range gets less attention and is where the acting is. James Stevens in The Remains of the Day is an entire life of suppression conveyed by a man declining to say one sentence. Frederick Treves in The Elephant Man is the compassionate counterweight to his own later monsters. Burt Munro in The World's Fastest Indian is warmth with no menace at all. Anthony in The Father plays disorientation from the inside rather than describing it from outside, which is the hardest possible version of that part. Alongside that sits an unembarrassed run of paycheques: Odin in the Thor films, Sir Edmund Burton in Transformers: The Last Knight, Methuselah in Noah. He has never pretended those were anything other than what they are.

Movies (92)

TV (11)

Where to start with Anthony Hopkins

Most people arrive through The Silence of the Lambs, and there is no reason to avoid it. A supporting-sized part, an Academy Award for Best Actor, and a performance whose influence is still visible in every quiet villain since.

The corrective is The Remains of the Day. Same actor, opposite technique, a man who spends two hours failing to say the only thing that matters. If you watch one Hopkins film that is not about a monster, make it that.

The Father is the late-career peak and the most disorienting thing he has made. The World's Fastest Indian is the gentle one, and genuinely lovely. Westworld gives him a full season to be enigmatic on television, Fracture is the entertaining B-side to Lecter, The Two Popes is him playing warmth and doubt against Jonathan Pryce, and Thor: Ragnarok is the blockbuster where he is most obviously having fun.

Hannibal Lecter

Three films as Lecter, and the first is the one that matters: a performance built almost entirely on stillness and an unblinking stare. The sequels give him far more screen time and considerably less power. Fracture runs the same trick again in a courtroom.

The great dramatic performances

The Remains of the Day is the best work of his career, an entire life of refusal played without once raising his voice. The Father won him a second Oscar at eighty-three and is the most frightening thing on this list, precisely because it is not a thriller.

The blockbusters and the late studio work

Hopkins has been open about taking large films for the money and enjoying himself in them regardless. Odin in the Thor films is the best of these, and The Mask of Zorro is the one that is genuinely good on its own terms.

Anthony Hopkins on CrossBinge

Genres Anthony Hopkins works in