Christine Marie works as a cult expert. Her husband, Tolga Katas, works a video camera. Rachel Dretzin's 2026 miniseries follows the pair into a Fundamentalist Church of Jesus Christ of Latter-Day Saints community in Utah, close enough that the people living there trust them.

Samuel Bateman sits at the center of what they find. He presents himself as the successor to Warren Jeffs, and inside the community that claim gets treated as settled rather than argued. Marie and Katas work from within rather than at a distance, so their footage carries the awkward intimacy of a camera someone has allowed in. The evidence they gather about Bateman is disturbing, and the series lets it accumulate instead of announcing it.

Dretzin directs and executive produces. Her instinct is to hold on people long enough for their own words to carry a scene, so the case builds out of ordinary moments rather than voiceover. The title points at the real subject: how trust gets extended inside a closed religious group, who collects it, and what an outsider owes the people who offer it.

It rewards viewers who follow serious documentary reporting on religious movements and who prefer access to argument.