Made in Abyss (2012)
Made in Abyss is a 2012 fantasy anime and manga title by Akihito Tsukushi.
A hole in the earth so deep that nobody has mapped its floor, and a town of treasure hunters grown up around the rim. Akihito Tsukushi has been writing and drawing that hole since October 2012, on Takeshobo's Web Comic Gamma, and the chapters fill fourteen tankobon volumes as of August 2025.
Riko is an orphan raised among the cave raiders who work the Abyss, trained to follow her mother down. Reg is a boy she finds in the pit, part machine, with no memory of where he came from. The two of them start the descent together, Riko chasing the bottom and the mother she believes is waiting at it.
Tsukushi draws all of this with round faces, small frames and soft lines, an art style that looks built for a gentle children's adventure. It is not one. The Abyss is dark fantasy, and the series is blunt about the cost the descent imposes on the people who attempt it. Go in expecting the tone the character designs promise and the gap will hit hard. That gap is deliberate, and it is the thing readers argue about most.
The worldbuilding carries the rest. Layer by layer, Tsukushi invents creatures, relics and a working ecology for the pit, then lays them out in dense annotated spreads that reward slow reading rather than fast page-turning.
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Made in Abyss in our writing
- Companion guide: Isekai: The Complete Guide to Another World
A few thoughts on Made in Abyss
Start with the 2017 anime Made in Abyss if you want the descent with sound and motion. It follows Tsukushi's designs closely, so the tonal gap lands the same way it does on the page. The compilation films Journey's Dawn and Wandering Twilight recap that run, Dawn of the Deep Soul carries it forward, and Mezameru Shinpi arrives in 2026.
Past the franchise, Battle Angel Alita, Volume 1 shares the shape: an amnesiac part-machine body, a scavenger economy, a world stacked in vertical layers with something unreachable at one end. For dark fantasy that treats cruelty as ordinary weather, Berserk, Vol. 37 sits in the same register, with art that warns you up front instead of disguising it. Cocolors matches the mood at a gentler length, an animated short about children living beneath a poisoned surface.
