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Thomas Kretschmann

Thomas Kretschmann is an actor, born 1962.

Thomas Kretschmann was born in Dessau in 1962, in what was then East Germany, and his breakthrough was Stalingrad in 1993, playing Lieutenant Hans von Witzland in a German war film about the destruction of an army from the inside. It typed him permanently, and he has spent thirty years being the actor international productions call when they need a German officer.

The interesting thing is what he does inside that box. Kretschmann plays uniforms from the inside rather than commenting on them from outside. Captain Hosenfeld in The Pianist is the test case: the officer who helps, played with no warmth, no signalling, no invitation to feel relieved about him, which is exactly why the scene works. In Downfall he is Hermann Fegelein and in Valkyrie he is Otto Remer, both real men, both played as functionaries rather than monsters. He also took the reporter's role in A Taxi Driver, a Korean film about the Gwangju uprising, which gave him a rare chance to be the outsider looking in.

Outside that, he works constantly and not always well, which he seems relaxed about. He was Captain Englehorn in Peter Jackson's King Kong, Baron von Strucker in the Marvel films, and the voice of Professor Z in Cars 2. He has also spent a lot of years in genre pictures, Blade II, Resident Evil: Apocalypse, Hostel: Part III, a couple of Dracula projects, where he is invariably the most convincing element of a film that does not deserve him. Being very good and being well used are separate problems, and his filmography is a long record of the difference.

Movies (60)

TV (8)

Where to start with Thomas Kretschmann

The Pianist first, and specifically for the last half hour. His officer arrives late, does something decent, and Kretschmann refuses to play it as redemption, which is what makes the sequence land instead of curdling.

Then Downfall, where he is one small cog in a bunker full of them, and Stalingrad for the film that started it all, a bleak German account of the eastern front that is still the best war picture he has been in. Valkyrie completes the set from the other side of the plot.

A Taxi Driver is the one nobody outside Korea has seen and probably his warmest performance. For the popcorn, King Kong gives him a proper old-fashioned sea captain, Avengers: Age of Ultron gives him about four minutes, and Dragged Across Concrete is the nastiest, most interesting of his recent parts.

The war films

The category his face has committed him to, and the good ones are very good. The Pianist gives him a Wehrmacht officer who does one decent thing, played with no music and no speeches attached to it.

The blockbusters

Hollywood casts him as the European with a plan, whether that is a ship's captain, a Hydra baron or a Nazi colonel. King Kong is the largest of these and he is the most credible thing in it.

The historical roles

Real people and period settings away from the war films. A Taxi Driver is the one to seek out, a Korean production about the Gwangju uprising in which he plays the German reporter who filmed it.

The horror and genre work

He has played both Dracula and Van Helsing, in different productions, within a year of each other. The rest is a working actor's genre catalogue and Infinity Pool is the interesting recent one.

Genres Thomas Kretschmann works in