SungWon Cho
SungWon Cho is an actor, born 1990.
Cho built the audience himself. Before the voice work he was ProZD on YouTube, making short comedy skits alongside unboxing videos and reviews of board games, anime and snack foods. That is a strange resume for a working actor and an extremely useful one, because the skits are nothing but voices, timing and character, performed at a volume no casting session could ever teach.
The animation work that followed is broad. He is Johnny plus two other parts in OK K.O.! Let's Be Heroes, the Blur in Craig of the Creek, Little Rok in Jellystone!, Badcomputer in Batwheels, Henry Wu in gen:LOCK, Atlus Arcadium Rex in Red vs. Blue, Kung Kung in Gremlins: Secrets of the Mogwai. The pattern in his casting is a specific comic register: a man who sounds entirely reasonable while saying something insane, held perfectly flat.
Games hold a lot of his best-known work, FL4K in Borderlands 3 and Ratatoskr in God of War Ragnarok among them, and those are not screen credits. On film he is Ritchie in BlackBerry, and in KPop Demon Hunters he covers Abs Saja alongside a bathhouse patron and a social media fan, which is the whole job compressed into one credit line.
Movies (4)
TV (16)
- Craig of the Creek (2018)
- Sausage Party: Foodtopia (2024)
- Batwheels (2022)
- Jellystone! (2021)
- Red vs. Blue (2003)
- Pantheon (2022)
- Gremlins: Secrets of the Mogwai (2023)
- Jentry Chau vs the Underworld (2024)
- OK K.O.! Let's Be Heroes (2017)
- My Dad the Bounty Hunter (2023)
- Samurai Rabbit: The Usagi Chronicles (2022)
- Universal Basic Guys (2024)
- Camp Camp (2016)
- Cartoon Hell (2018)
- gen:LOCK (2019)
- Fan Service (2016)
Where to start with SungWon Cho
Put the live-action first. In BlackBerry he plays Ritchie, and seeing him on camera reframes all of the voice work: the same dry, unhurried delivery, just attached to a body.
Then take OK K.O.! Let's Be Heroes, where he plays Johnny and two other parts and you can hear him building distinct people out of very little material. KPop Demon Hunters is the biggest thing he has been in, and covering Abs Saja plus two bit parts inside one film is a decent demonstration of the range.
gen:LOCK is the closest thing here to a straight dramatic ensemble role, and Red vs. Blue is the deep cut for anyone who found him through the internet in the first place. Do not skip Craig of the Creek; the Blur is a small part played with total conviction, which is the best argument for him there is.