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Sienna Miller

Sienna Miller is an actor, born 1981.

Sienna Miller modelled first, in Italian Vogue and the 2003 Pirelli Calendar, and arrived as an actress in 2004 with two British films in the same year: Layer Cake, as the gangster's girlfriend, and Alfie, as one of the women the title character mistreats. Both parts are functions rather than characters and both got noticed anyway. Factory Girl followed in 2006 with Miller as Edie Sedgwick, then The Edge of Love in 2008 as Caitlin MacNamara, and a BAFTA Rising Star nomination the same year.

Then the tabloids took over and the work suffered for it. She played the Baroness in G.I. Joe: The Rise of Cobra in 2009 and stepped away from the screen for a while under press scrutiny, which is the polite version of what happened. The career she came back to is a better one, built on supporting parts in serious films where the assignment is to be the person the protagonist is failing: Taya Kyle in American Sniper, Nancy Schultz in Foxcatcher, Nina Fawcett in The Lost City of Z.

She is very good at this, and it is a strange skill to be good at. The wife-and-widow role is usually a hole in a film, and Miller fills it by playing impatience rather than devotion. Her Taya Kyle is furious at least as often as she is frightened. Her Nina Fawcett has clearly thought harder about the expedition than the man leading it. The strongest recent work has been on television, where there is room to be less sympathetic, and in American Woman, where she carries an entire film, ageing across years, as a woman whose daughter has vanished.

Movies (33)

TV (8)

Where to start with Sienna Miller

American Woman is the one nobody saw and the one that proves the point. Miller is in almost every frame as a woman whose life stalls at the worst possible moment, and she declines every opportunity the script offers her to be likeable. Nothing else in her filmography is this exposed.

For the well-known work, American Sniper is the best use anyone has made of her in support, and The Lost City of Z is the most quietly intelligent, since Nina Fawcett is written as the one left behind and Miller plays her as the one who understands the expedition best. Foxcatcher gives her a handful of scenes and she wastes none of them.

Go back to Layer Cake for the arrival, which still crackles, and Factory Girl for the ambition, which does not entirely come off but shows what she was willing to attempt early.

On television, Anatomy of a Scandal casts her as the wife of an accused government minister and The Loudest Voice as Beth Ailes, and she is considerably more interesting in the second.

Genres Sienna Miller works in