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Sean Connery

Sean Connery is an actor, born 1930.

Sean Connery was 32, with a Disney leprechaun picture and a bit part in a D-Day epic behind him, when Dr. No opened in 1962. He played James Bond six times for Eon Productions, through Diamonds Are Forever in 1971, and once more outside the series in 1983. Nobody who followed him has escaped the template he set: the tailoring worn like armour, the cruelty under the charm, the sense that the joke is mostly at the audience's expense.

What made him last was economy. He did very little, slowly, and let everyone else in the frame do the work. He also refused, apparently on principle, to modify his voice: a Soviet submarine commander, an immortal Spaniard, a Franciscan friar in a mountain abbey, all of them Edinburgh through and through. It should have been fatal. Instead it read as authority, and directors stopped fighting it.

The 1970s are his most interesting decade and his least watched: a bald mercenary in a hallucinatory science fiction film, a con man in a Kipling adaptation, an aging Robin Hood with nothing left to prove, a police interrogation drama so bleak it barely reached cinemas. Then came the elder statesman phase that made him rich again, playing mentors who are plainly better at the job than the hero: a Chicago beat cop, Indiana Jones's father, a career prisoner who knows the tunnels under Alcatraz. He retired from acting after 2003, collected a BAFTA Fellowship, a Golden Lion and the Cecil B. DeMille Award, and died in 2020.

Movies (63)

TV (5)

Where to start with Sean Connery

Start with the Bond films, but not in release order. From Russia with Love is the best of them as a film, a cold little spy thriller with a train fight and barely a gadget in sight. Goldfinger is the one that fixed the formula for the next sixty years, for better and worse. Dr. No is rougher than its reputation and worth seeing mainly for how quickly he arrives fully formed.

Then leave the tuxedo. The Man Who Would Be King is the best film he ever made, and he is superb in it as a soldier who believes his own legend. Robin and Marian is the quiet counterweight, middle age handled without vanity, and The Offence is punishing evidence of what he could do when nobody wanted him to be charming.

For the late run, The Untouchables and The Hunt for Red October are the pleasures, and Indiana Jones and the Last Crusade is the most generous work of his career, because the joke is entirely on him and he plays it happily.

The Bond films

Six Eon films across nine years, and he defined the part so completely that everyone since has been measured against him. Goldfinger is the template the whole franchise still copies, and From Russia with Love is the better thriller.

The great non-Bond work

The films that prove the point. The Man Who Would Be King is a Kipling adaptation opposite Michael Caine and the best thing either of them did, and The Offence is a Sidney Lumet film almost nobody has seen.

The late blockbusters

The stretch in his fifties and sixties when he was more bankable than he had ever been. The Untouchables won the Oscar and Last Crusade is the funniest he ever allowed himself to be on screen.

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Genres Sean Connery works in