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Naomie Harris

Naomie Harris is an actor, born 1976.

Naomie Harris began as a child actor on British television, in the series Simon and the Witch in 1987, and did not get a real break until her mid-twenties. It came from horror: Selena in 28 Days Later (2002), a survivor introduced as the most ruthless person on screen and then gradually allowed to soften. The performance did two jobs at once, establishing her as a physical actor and as someone who could hold an audience's sympathy without ever asking for it.

Blockbusters took the physical half. She played Tia Dalma in two Pirates of the Caribbean films, then Eve Moneypenny across three Daniel Craig Bond pictures from Skyfall (2012) to No Time to Die (2021), a part rebuilt from desk to field and back. There is a version of this career that stops right there.

Moonlight (2016) is why it did not. As Paula, the mother, she produced something specific, ugly and unpitying, a portrait of addiction with no redemption arc bolted onto it, and it brought nominations for the Academy Award, the BAFTA and the Golden Globe for supporting actress. She was appointed OBE in 2017 for services to drama.

Since then she has run both lanes deliberately: Winnie Madikizela in Mandela: Long Walk to Freedom, a police officer in Black and Blue, the lead in the television version of The Man Who Fell to Earth, the villain in Venom: Let There Be Carnage, and quieter British work such as The Wasp. She is also a stage actor, and it shows in how little she wastes.

Movies (28)

TV (3)

Where to start with Naomie Harris

Moonlight first, without hesitation. Her scenes total perhaps fifteen minutes and they carry the whole chronology of the film, a mother rendered without a shred of sentimentality or contempt.

28 Days Later is the other one to see, both because it is a superb horror film and because Selena is the template for everything physical she has done since. Skyfall is the best of her Bond films by a distance and the only one that gives Moneypenny a real arc, though No Time to Die pays it off. Mandela: Long Walk to Freedom is the big biographical swing, uneven as a film and worth it for her. For current work, The Man Who Fell to Earth finally hands her a proper lead, and Pirates of the Caribbean: Dead Man's Chest is a reminder of how much she can do with a wildly stylised part.

The franchise work

Three Bond films as Moneypenny, reconceived as a field agent who was in the room first, plus two Pirates pictures as a swamp oracle and a couple of comic-book outings. Skyfall is the one that did the reinventing.

The dramatic performances

Where the real work is. Moonlight was shot across three days and is unbearable in the best way, and Mandela gave her a whole political life to compress into one film.

The genre work

She broke through in a horror film and has kept returning to the shape. 28 Days Later still has the best opening twenty minutes of any British genre picture, and The Third Day is the strangest thing on this list.

The thrillers

A steady run of espionage and crime films, several of them better than their reputations. Our Kind of Traitor and Black Bag are the two where the writing keeps up with her.

Genres Naomie Harris works in