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Matthew Glave

Matthew Glave is an actor, born 1963.

One role does most of the public work here. Glenn Gulia in The Wedding Singer is the fiance the film gives you permission to loathe, and Glave plays him with a complete absence of self-doubt that makes the loathing easy and the comedy work. It is also the least representative thing on his CV, because almost nowhere else is he the problem.

The rest of the career is authority, delivered fast and without fuss. Colonel Charles W. Scott in Argo. Chuck Yeager in First Man. Howard Cosell in Big George Foreman. Two governors, in All the Way and in The Thinning and its sequel. A senator in Perception. Coaches in The Way Back and Safety. A lieutenant colonel in Army Wives, a deputy in Picket Fences, an officer and a principal in a long line of network hours. This is the actor a production hires when a scene needs ninety seconds of credible man in a uniform so the story can keep moving, and doing that convincingly for more than thirty years is a harder trick than the credits make it look.

Television has been the steadier employer: recurring runs on Picket Fences, ER, Charmed, Stargate SG-1, Army Wives, Angie Tribeca, The Mick and The Rookie, where he plays Oscar Hutchinson. Nobody books Matthew Glave to be the most interesting person in the room. They book him so the room is believable, and the work is still arriving.

Movies (21)

TV (11)

Where to start with Matthew Glave

Everyone starts at The Wedding Singer, and it is worth watching for how completely he commits to being disliked. A weaker actor would ask for one sympathetic beat. He never does.

For the other half of him, Argo and First Man are the pick: two tightly-made films where he plays real military men and lets the period do the talking, and his Chuck Yeager is a lesson in getting on and off screen cleanly. The Rookie is the best sustained television showcase, since Oscar Hutchinson gives him more mischief than the average procedural part. The Way Back puts him in a genuinely good sports drama, and Big George Foreman hands him Howard Cosell, which is the closest thing to a showy assignment he has had. Baby's Day Out is a curio from the other end of the career.

Genres Matthew Glave works in