Mary Tyler Moore
Mary Tyler Moore is an actor, born 1936.
Before the two shows that made her, she was a jobbing television actress: bit parts through the late 1950s and early 1960s on Hawaiian Eye, The Deputy, Bourbon Street Beat and Checkmate, plus an uncredited appearance on The Adventures of Ozzie and Harriet. Nothing on that list predicts what came next.
As Laura Petrie on The Dick Van Dyke Show from 1961 to 1966 she played a sitcom wife who got jokes rather than reactions, which was close to a structural innovation at the time. Then The Mary Tyler Moore Show ran from 1970 to 1977 and put a single working woman at the centre of a comedy without treating her as a problem the show had to solve. Both series are usually credited with helping define a new picture of American womanhood, a heavy thing to say about the half-hour comedy form and true anyway.
She won seven Primetime Emmy Awards, three Golden Globes and two Tony Awards, and she produced as well as performed. The best of the later work is the work that turned her warmth against her: Beth Jarrett in Ordinary People is a mother who cannot reach for her own son, and the performance is chilling precisely because the audience arrived expecting Mary Richards. Thoroughly Modern Millie, Flirting with Disaster and guest runs on That '70s Show and Hot in Cleveland fill out a career that ran until her death in 2017.
Movies (8)
TV (18)
- That '70s Show (1998)
- Tony Awards (1956)
- Hot in Cleveland (2010)
- The Mary Tyler Moore Show (1970)
- The Dick Van Dyke Show (1961)
- Intimate Portrait (1993)
- Hawaiian Eye (1959)
- The Adventures of Ozzie and Harriet (1952)
- Rhoda (1974)
- The Naked Truth (1995)
- Checkmate (1960)
- The Deputy (1959)
- The Danny Kaye Show (1963)
- Lipstick Jungle (2008)
- New York News (1995)
- Bourbon Street Beat (1959)
- The Pet Set (1971)
- Straightaway (1961)
Where to start with Mary Tyler Moore
Two shows, and you should watch both, but begin with The Mary Tyler Moore Show. Its DNA is in every workplace comedy since, and Moore's particular gift is on full display: she reacts. Put her in a room with louder comic actors and the camera still finds her, because she is the one having the honest response.
The Dick Van Dyke Show is the earlier, tighter, more purely funny series, and the better case for her as a physical comedian. Then jump to Ordinary People, which is the whole point of her as an actress: the same precision with the warmth withdrawn, a performance that spends everything the audience thinks it knows about her. After that, Thoroughly Modern Millie for the musical, Flirting with Disaster for the late comic cameo, and Rhoda if you want the spin-off universe.