Lewis Pullman
Lewis Pullman is an actor, born 1993.
The first film was a western made opposite his own father. The Ballad of Lefty Brown cast Lewis Pullman as Billy Kitchen alongside Bill Pullman in 2017, which is either the easiest possible start or the hardest, depending on how you feel about the surname. The year after, Bad Times at the El Royale gave him Miles Miller and a Saturn nomination for supporting actor, and settled the argument.
His specialty is men who are being crushed quietly. Miles Miller is a hotel clerk holding something he cannot put down. Bob Floyd in Top Gun: Maverick is the one aviator in the squadron with no swagger at all, which is exactly why the film needs him. Calvin Evans in Lessons in Chemistry plays awkwardness as a form of decency. Pullman underplays by default and lets other actors take the volume, so his scenes tend to reward a second viewing more than a first.
The leads arrived fast after that: Ben Mears in Salem's Lot, Rhett Abbott across Outer Range, Owen Taylor in The Starling Girl, and Robert Reynolds in Thunderbolts*, with the same character due back in Avengers: Doomsday. That is the standard modern trajectory, independent drama to prestige limited series to superhero contract.
The interesting question is what he does with the leverage. Skincare and Riff Raff suggest he intends to keep taking odd small films, and The Testament of Ann Lee is not a franchise hedge by any reading.
Movies (20)
- Remarkably Bright Creatures (2026)
- Top Gun: Maverick (2022)
- Avengers: Doomsday (2026)
- Thunderbolts* (2025)
- Bad Times at the El Royale (2018)
- The Testament of Ann Lee (2025)
- Salem's Lot (2024)
- The Strangers: Prey at Night (2018)
- Aftermath (2017)
- Battle of the Sexes (2017)
- Spaceballs: The New One (2027)
- The Ballad of Lefty Brown (2017)
- The Line (2024)
- The Starling Girl (2023)
- Riff Raff (2025)
- Skincare (2024)
- Lean on Pete (2018)
- Them That Follow (2019)
- Press Play (2022)
- The Caine Mutiny Court-Martial (2023)
TV (3)
Where to start with Lewis Pullman
Begin with Bad Times at the El Royale. It is the performance everyone else noticed first, and Miles Miller explains what Pullman is for: an actor who can hold a scene by seeming to want to leave it.
Top Gun: Maverick is the widest-reach option and the most efficient demonstration of the same quality inside a blockbuster. To see him carry something, Lessons in Chemistry is the best of the leads, with Outer Range as the stranger and much more uneven alternative.
The Starling Girl is the serious version and the quietest thing on the list. Salem's Lot is a competent Stephen King adaptation that never quite finds its own reason to exist, and Thunderbolts* is worth the time mostly for how odd his character is inside a Marvel film. Lean on Pete holds a very small early part if you are completing the record.