Laverne Cox
Laverne Cox is an actor, born 1972.
Orange Is the New Black changed the shape of Cox's career and, for a period, American television's assumptions about who could carry a storyline. She played Sophia Burset, and the nomination that followed in 2014 made her the first transgender person nominated for a Primetime Emmy in an acting category, and the first trans person nominated for any Emmy since the composer Angela Morley in 1990.
Two more firsts came after. In 2015 she won a Daytime Emmy as an executive producer of Laverne Cox Presents: The T Word, making her the first trans woman to take that award. In 2017 she became the first transgender person to play a transgender series regular on American broadcast television, as Cameron Wirth in Doubt.
The acting gets less attention than the milestones, which is a shame, because she is a specific kind of good: she plays authority. Gail in Promising Young Woman is a boss required to be reasonable and useless at the same time. Dr. Cable in Uglies and Detective Nevin in Jolt are institutional power inside a genre film. Kacy Duke in Inventing Anna is the one person in the room with a working sense of proportion. The exception is Frank-N-Furter in the television Rocky Horror remake, a part that offers no authority at all, only nerve.
She also works constantly as herself, in Disclosure, Visible: Out on Television, Amend and The Stroll, which is its own job: being the person who explains the history on camera, patiently, again.
Movies (14)
- Outcome (2026)
- Animal Farm (2026)
- Disclosure (2020)
- Promising Young Woman (2020)
- Jolt (2021)
- A Very Jonas Christmas Movie (2025)
- Uglies (2024)
- Can You Keep a Secret? (2019)
- Bad Hair (2021)
- Grandma (2015)
- The Rocky Horror Picture Show: Let's Do the Time Warp Again (2016)
- Norman Lear: 100 Years of Music and Laughter (2022)
- Freak Show (2018)
- The Stroll (2023)
TV (9)
Where to start with Laverne Cox
Everything routes through Orange Is the New Black, and Sophia's episodes are worth seeking out even if the series as a whole is not your thing.
Disclosure should be next: a documentary about how trans people have been shown on screen, with Cox as producer and participant, and it reframes every credit above it. Promising Young Woman is the sharpest use of her in a film. The Rocky Horror Picture Show: Let's Do the Time Warp Again is the swing-for-it credit, a remake nobody asked for, and she is the best reason to sit through it. Inventing Anna and Doubt show the range outside prison drama, Jolt and Uglies are genre paydays, and Grandma is short, sharp and seen by almost nobody.