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Kyle MacLachlan

Kyle MacLachlan is an actor, born 1959.

Kyle MacLachlan's first job was the lead in Dune, which is a peculiar way to begin: 24 years old, playing a messiah, in one of the most expensive failures of the 1980s. David Lynch cast him and then kept him, and the second collaboration is where the actor actually arrived. Jeffrey Beaumont in Blue Velvet is a clean-cut college kid who finds something rotten in his home town and cannot stop looking, and MacLachlan plays the looking rather than the horror.

That is the whole gift. He performs sincerity so completely that it curdles into strangeness. Dale Cooper in Twin Peaks should be unbearable, a cheerful FBI agent who dictates memos about pie to a woman he has never met, and instead he became one of the most loved characters on American television, because MacLachlan never once winks. He played Cooper in the original series, in the film prequel and in the 2017 return, and won a Golden Globe for it.

The middle of the career is a strange collection: a corporate villain in a live-action cartoon, a casino manager in Showgirls, Ray Manzarek in The Doors. Television rescued him. He was Charlotte's excruciating husband on Sex and the City, Orson Hodge on Desperate Housewives, and more recently the Overseer in Fallout, where the joke is that a man this pleasant is running something this sinister. He also voices the father in the Inside Out films, which is the version of him most children now know.

Movies (45)

TV (23)

Where to start with Kyle MacLachlan

Blue Velvet before Twin Peaks, always. The film teaches you how to watch him: the wide-eyed decency is not naivety, it is appetite. Then the series, which is where he becomes an institution, and then Twin Peaks: Fire Walk with Me, a colder and far less friendly object than the show and much better than its 1992 reception suggested.

Dune is a curiosity rather than a good film, though he is not what is wrong with it. If you want the underrated one, The Hidden is a lean 1987 body-snatcher thriller in which he plays an FBI agent who is off somehow, and it is the first time a director used his oddness on purpose.

For recent work, Fallout is the best showcase, all corporate cheer laid over something rancid, and Inside Out is the gentlest thing on his shelf. Showgirls exists. Watch it with company.

The Lynch collaborations

A job description more than a credit. Blue Velvet is the best film, Dune is the strange debut, and Twin Peaks gave him Dale Cooper twice, twenty-five years apart, playing several versions of the same man.

The comedy

The total sincerity that Lynch used is, in the right hands, extremely funny. Inside Out gives him a warm cartoon father, and the sitcom guest runs use him as a man too earnest for the room.

The genre and recent work

The films people forget he was in and the recent television. Showgirls and The Flintstones are the nineties studio oddities, and Fallout is the recent one that introduced him to a whole new audience.

Genres Kyle MacLachlan works in