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Kevin Corrigan

Kevin Corrigan is an actor, born 1969.

Kevin Corrigan grew up in the Bronx and was barely twenty when he turned up in GoodFellas as Michael Hill. He has been working ever since, mostly in independent film and television, and mostly in parts of five to twenty minutes that people remember far longer than the running time justifies.

The skill is a specific one: he does not sound like an actor. His delivery is flat, unhurried and faintly amused, and it makes written dialogue sound overheard rather than performed. Put him next to a broad comic performance and he becomes the anchor, which is why he lands in stoner comedies (Superbad, Pineapple Express) and crime pictures (The Departed, American Gangster) with equal ease. Directors of a certain generation have used him as a texture guy for thirty years, from Rhythm Thief and Walking and Talking through Henry Fool and Living in Oblivion.

He has had leads, and they are the best evidence for him. Big Fan in 2009 gave him a parking-attendant obsessive whose entire life is a sports radio call-in show, and Results in 2015 let him play a newly rich sad sack with real comic patience. Both drew Independent Spirit Award nominations for Best Supporting Male, the category the industry keeps him in regardless. Alongside that came five years of network sitcom as Uncle Eddie on Grounded for Life, and he has kept turning up in interesting places since, including The King of Staten Island.

Movies (66)

TV (10)

Where to start with Kevin Corrigan

Big Fan first. It is the film that proves the point, a bleak comedy carried entirely by Corrigan playing a man whose delusions are the only thing keeping him upright.

Follow it with Results, which is warmer and funnier and gives him a proper romantic lead's worth of screen time. Then go back to the source: GoodFellas, where a barely-adult Corrigan holds his own in a room of monsters, and True Romance, where he is on screen for a few minutes and steals all of them.

For the comedies, Superbad and Pineapple Express both use his deadpan as a straight edge against everyone else's flailing. Henry Fool is the independent-cinema Corrigan for anyone who wants the nineties version, and The Departed is the one everybody has already seen without noticing him.

The crime films

He was twenty-one in Goodfellas and has been turning up in this genre ever since, usually as the cousin, the hanger-on, or the man who should not be in the room. Nobody plays out of his depth better.

The comedies

The deadpan works as well in comedy as it does anywhere, and directors like Apatow and McDonagh keep using him as the flat surface everyone else bounces off. Grounded for Life is the long sitcom run people forget he did.

The independent leads

Where the actual case for him is made. Big Fan gives him a lead and a study of fandom that refuses to be cruel about it, and the Hartley and Buscemi films are the low-budget nineties world he came out of.

Genres Kevin Corrigan works in