Julie Harris
Julie Harris is an actor, born 1925.
Julie Harris belonged to the theatre first and to film second, and she never pretended otherwise. She won five Tony Awards for Best Lead Actress in a Play, a record for the category, and added three Primetime Emmys and a Grammy for spoken-word recording, along with an Academy Award nomination and a BAFTA nomination. She was inducted into the American Theater Hall of Fame in 1979, given the National Medal of Arts in 1994, a Special Lifetime Achievement Tony in 2002 and a Kennedy Center Honor in 2005.
Her gift was a fragility that never asks for sympathy. In East of Eden she plays Abra opposite James Dean and does the almost impossible job of being the sane person in a film organised entirely around a volatile one; the scenes work because she listens rather than reacts. Eight years later The Haunting gave her Eleanor Lance, and it is the finest thing she did on screen: a woman so starved of attention that a malevolent house feels to her like being wanted, played from the inside, largely in voice-over, without a single moment of camp.
She never settled into one lane. She is Alison Langdon opposite Marlon Brando in Reflections in a Golden Eye, a nightclub singer in the detective picture Harper, Betsie ten Boom in the wartime drama The Hiding Place, and a passenger in Voyage of the Damned. Television gave her Lilimae Clements on Knots Landing, and Ken Burns used her as the voice of the diarist Mary Chesnut in The Civil War, which is where a great many Americans have heard her without knowing whose voice it was. She died in 2013.
Movies (16)
- East of Eden (1955)
- The Haunting (1963)
- Harper (1966)
- Gorillas in the Mist (1988)
- Housesitter (1992)
- Voyage of the Damned (1976)
- The Dark Half (1993)
- The Hiding Place (1975)
- The Gift (1979)
- Home for the Holidays (1974)
- The Split (1968)
- Broadway's Dreamers: The Legacy of the Group Theatre (1989)
- Carried Away (1996)
- You're a Big Boy Now (1966)
- Broadway: The Golden Age, by the Legends Who Were There (2003)
- Reflections in a Golden Eye (1967)
TV (11)
Where to start with Julie Harris
The Haunting first, without hesitation. Robert Wise keeps his horror almost entirely off screen, which means the film rests on Eleanor's narration, and Harris makes a lonely woman's inner voice more unsettling than anything the house manages. It is one of the great performances in the genre and it has aged better than most of what surrounds it.
Go next to East of Eden, opposite James Dean, where her steadiness is the thing that makes his famous volatility register at all. Reflections in a Golden Eye is the strange one, a humid Southern gothic with Brando, and she is the most human presence in it.
For the later career, The Dark Half and Gorillas in the Mist show a veteran doing precise supporting work in films that need it, and The Hiding Place is the sincere one, a wartime drama that could easily have curdled and does not because she underplays it. If you want her voice rather than her face, The Civil War is the place.