Julie Adams
Julie Adams is an actor, born 1926.
Billed as Julia Adams early on, she spent the 1950s inside the studio system's most reliable production line: westerns. Bright Victory in 1951, then Bend of the River and Horizons West in 1952, the first of those opposite James Stewart. She was born in Waterloo, Iowa in 1926 and worked, on and off, for six decades.
In 1954 she made the film that outlived everything else. As Kay Lawrence in Creature from the Black Lagoon she plays the woman the monster fixates on, and she plays her straight, as a competent professional rather than a screamer, with the result that a rubber-suit picture acquired a romantic melancholy it had no obvious right to.
The rest of the career is television, and there is a great deal of it. Between the late 1950s and the 1980s she guested on nearly every format American TV had: private-eye shows such as 77 Sunset Strip and Checkmate, westerns including Yancy Derringer, Tate and The Alaskans, spy pastiche in The Girl from U.N.C.L.E., anthology drama in Kraft Suspense Theatre, medical series in Marcus Welby, M.D. and The Bold Ones: The New Doctors. She was Paula Denning on the 1980s soap Capitol and, most durably, Eve Simpson on Murder, She Wrote.
Films kept arriving between the guest spots: Vera Radford in Tickle Me, Elaine in McQ, Mrs. Anderson in The Last Movie, Martha in Catchfire. She was still working late, with an appearance in Treme and a voice part in Carnage in 2011. She died in 2019.
Movies (11)
TV (16)
- Murder, She Wrote (1984)
- Marcus Welby, M.D. (1969)
- Capitol (1982)
- 77 Sunset Strip (1958)
- Treme (2010)
- Checkmate (1960)
- Kraft Suspense Theatre (1963)
- The Girl from U.N.C.L.E. (1966)
- The Bold Ones: The New Doctors (1969)
- The Alaskans (1959)
- Yancy Derringer (1958)
- Code Red (1981)
- Dan August (1970)
- The Gallant Men (1962)
- Run, Joe, Run (1974)
- Tate (1960)
Where to start with Julie Adams
Everyone arrives via Creature from the Black Lagoon and they are right to. Kay Lawrence is why that film outlasted every other monster picture of its year: Adams gives her a job and a temperament rather than a scream, so the creature's fixation reads as longing instead of appetite.
Then take the westerns. Bend of the River is the good one, opposite James Stewart, and Horizons West from the same year shows how fast Universal was working her.
Her television is the larger body of work and rewards grazing rather than bingeing: Murder, She Wrote for Eve Simpson, Marcus Welby, M.D. and The Girl from U.N.C.L.E. for the 1960s guest circuit, 77 Sunset Strip for the private-eye era. Late on, The Last Movie is the strangest thing on her CV and Treme the most unexpected.