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Juan Pablo Gamboa

Juan Pablo Gamboa is an actor, born 1966.

Gamboa was born in Cali in 1966 into a household with two languages and a long literary inheritance: his mother came to Colombia from Boston with the Peace Corps, his father was Colombian, and the family traces itself back to the poet Isaias Gamboa and more than thirty writers, artists and educators across five generations. He went into the family business sideways, as a performer rather than a writer.

His career is a map of Latin American television. He worked through the nineties in Morelia, Esmeralda as Dr. Alvaro Lazcano, Deceptions and Alma Rebelde, learning the melodrama grammar that keeps an actor employed across two continents. The bilingual upbringing then did what it usually does for an actor of his generation and opened US productions to him, which is how he came to be billed as "Gringo" in Vampires: Los Muertos, Weems in King of Texas, and Patrick Walsh in Sniper: Ultimate Kill.

The late run is where he found the part he will be remembered for. As the crime figure known as Mano Negra in Sin senos si hay paraiso, and again years later in El final del paraiso, he played the narco patriarch in a register the genre rarely allows, quiet instead of operatic, which works because he has never needed volume to be threatening. The bulk of his work is television, and that suits him: he is built for the long form, where a face gets two hundred episodes to do its work.

Movies (3)

TV (13)

Where to start with Juan Pablo Gamboa

Nothing else he has done matches Sin senos sí hay paraíso. As the crime boss known as Mano Negra he underplays a role the genre usually screams, and the restraint is exactly what makes him frightening. Follow it with El final del paraíso, which brings the same man back years later.

For the earlier register, Esmeralda and Alma Rebelde are nineties melodrama at full strength and show how much technique he built there, while Pura Sangre (Col) and The White Line are the Colombian thrillers in between.

The English-language credits are the least of him, but useful for hearing him work in a second language: Sniper: Ultimate Kill and King of Texas are the pick, and Vampires: Los Muertos is the cult curiosity, a sequel nobody asked for with a genuinely committed cast.

Genres Juan Pablo Gamboa works in