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Jonathan Winters

Jonathan Winters is an actor, born 1925.

Jonathan Winters was improvising before American television had a name for it. He came out of Dayton, Ohio and 1950s stand-up, and the act was not really built on jokes: it was characters, generated on the spot, most famously Maude Frickert, the sweet-looking old woman with a wicked mouth, whom he was still performing decades later on The New Scooby-Doo Movies.

Film used perhaps a third of what he could do. It's a Mad, Mad, Mad, Mad World is the exception. As Lennie Pike he takes a gas station apart with his bare hands in a sequence of escalating physical comedy that no script could have written as well as he played it. The Loved One let him play two roles in the same film, and The Russians Are Coming! The Russians Are Coming! aimed the same panicky energy at Cold War farce.

Television and animation kept him working for sixty years, from a 1950s panel show to a documentary series about comedy shortly before the end. He played Mearth on Mork & Mindy, an adult-sized infant, a premise that only functions if you have someone capable of improvising inside it. Later generations knew him entirely as Papa Smurf in the two live-action Smurfs films, the second of which arrived in the year he died.

He received two Grammy Awards, a Primetime Emmy Award, a star on the Hollywood Walk of Fame in 1960 and the Mark Twain Prize for American Humor in 1999. He was born in 1925 and died in 2013.

Movies (19)

TV (18)

Where to start with Jonathan Winters

One title here is essential, It's a Mad, Mad, Mad, Mad World, and you can skip to Lennie Pike if three hours is too much: the gas station sequence is the single best record of what Winters could do with a physical space and no dialogue worth speaking of.

The Loved One is the connoisseur's pick, a genuinely vicious satire of the American funeral industry that gives him two parts, and The Russians Are Coming! The Russians Are Coming! is the warmer, more popular version of the same skill set. Mork & Mindy is where most people of a certain age met him, and the improvisation between Winters and Robin Williams is the reason to watch. The New Scooby-Doo Movies preserves Maude Frickert for anyone who never saw the stand-up. The Thief and the Cobbler is the beautiful ruin of an animated film he narrates, Moon Over Parador the late live-action oddity, and The Smurfs the one your children have already seen.

Genres Jonathan Winters works in