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Jim Piddock

Jim Piddock is an actor, born 1956.

Piddock trained at Drama Studio London, took a degree at King's College London, and moved to the United States in his early twenties. His American debut was a one-man show, The Boy's Own Story, in San Francisco, and Broadway followed with Present Laughter, Noises Off, The Knack and Design for Living. Four decades later he is still working, as an actor, a writer and a producer.

Screen audiences know him best from the Christopher Guest improvised comedies, where he is the designated Englishman and, more importantly, the straight man. In Best in Show he commentates the dog show as Trevor Beckwith, patiently supplying real information alongside a colleague who has none, and the restraint is the joke: he gets almost no punchlines and the sequence collapses without him. He turns up again in A Mighty Wind, For Your Consideration and Mascots, and he co-created and appeared in the series Family Tree.

The rest is a long and unfussy character career on both sides of the Atlantic. He is the prosecutor in The Prestige, Alfred in the animated Batman: Under the Red Hood, a headmaster in Austin Powers in Goldmember, a priest in The Haunting of Bly Manor, and, in a stretch of late-2000s spoof films, Magneto. He is the sort of actor whose face you place three scenes before you place the name.

Movies (26)

TV (7)

Where to start with Jim Piddock

The obvious entry point is also the strongest argument for him. In Best in Show, watch the commentary booth rather than the dogs: his job is to keep a scene functioning while the man beside him destroys it, and he does it for the whole film without ever reaching for a laugh.

Family Tree is next, because he co-created it and the writing gives him more room than any acting job has. A Mighty Wind and Mascots complete the improvised comedy set, with the first much the stronger.

Outside that world, The Prestige is a small, precise piece of period lawyering, Batman: Under the Red Hood is a good and unexpectedly straight Alfred, and The Haunting of Bly Manor uses his politeness for quiet dread. Skip the parody films unless you have a specific fondness for the era.

Genres Jim Piddock works in