Jami Gertz
Jami Gertz is an actor, born 1965.
Gertz came up through the 1980s teen picture and never entirely got out of it, which turned out to be a career rather than a trap. She was still in her teens when Endless Love gave her an early credit in 1981 and Square Pegs made her Muffy Tepperman a year later. Sixteen Candles, Mischief, Quicksilver and Solarbabies followed in quick succession, along with Crossroads in 1986.
What she does better than most of that cohort is play someone who has already given up on a room and is calculating how long she has to stay in it. Star in The Lost Boys is the hinge the whole film turns on, half hostage and half recruiter, and Gertz plays her drowsy rather than seductive, which is a far stranger choice than the material asked for. Blair in Less Than Zero is the same instinct pushed harder, a young woman narrating her own decline with total composure.
Twister in 1996 handed her the biggest hit of her career and also ended her run as a movie regular. The second act was network comedy: Judy Miller in the CBS sitcom Still Standing, then Debbie Weaver in ABC's The Neighbors, both shows better served by her timing than by their writing. She works occasionally now, including a supporting turn in I Want You Back in 2022, and away from acting she is a co-owner of the Atlanta Hawks with her husband, Tony Ressler.
Movies (17)
- Twister (1996)
- The Lost Boys (1987)
- Mischief (1985)
- Endless Love (1981)
- Sixteen Candles (1984)
- Crossroads (1986)
- Listen to Me (1989)
- I Want You Back (2022)
- Quicksilver (1986)
- Less Than Zero (1987)
- Solarbabies (1986)
- Don't Tell Her It's Me (1990)
- Renegades (1989)
- Keeping Up with the Steins (2006)
- Jersey Girl (1992)
- Dealin' with Idiots (2013)
- Sibling Rivalry (1990)
TV (6)
Where to start with Jami Gertz
Start with The Lost Boys. It is the best film she is in and it uses her properly: Star is the bait, the warning and the escape route at once, and Gertz underplays every one of those functions. Follow it with Less Than Zero in the same week, because the two roles are close to a matched pair, one the myth of that year and one the diagnosis. Twister is the mainstream peak, worth watching for how much life she gets out of a part written as an obstacle. For teen-movie archaeology, Sixteen Candles and Crossroads show how fast she was working. Then skip twenty years to Still Standing for the sitcom register she settled into, or I Want You Back for the recent, wearier version of it.