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James Remar

James Remar is an actor, born 1953.

James Remar trained at the Neighborhood Playhouse in New York and came out of it playing thugs. Ajax in The Warriors (1979) is still the calling card, a swaggering gang member with more mouth than sense, and Albert Ganz in 48 Hrs. (1982) refined the type into something genuinely frightening: a career criminal with no visible interior life. Dutch Schultz in The Cotton Club (1984) put him in a prestige picture doing much the same thing in a better suit.

He was originally cast as Corporal Hicks in Aliens (1986) and replaced during production by Michael Biehn, the kind of near miss that decides a career. What followed was four decades of steady, unglamorous work in other people's films: Drugstore Cowboy, Miracle on 34th Street, Judge Dredd, What Lies Beneath, 2 Fast 2 Furious, Blade: Trinity, Pineapple Express, RED, Django Unchained, Megalopolis.

Television gave him the two parts that changed how he is seen. Richard Wright in Sex and the City, from 2001 to 2004, let him play charm and unreliability simultaneously. Harry Morgan in Dexter, from 2006, asked for something nobody had wanted from him before: a father delivering moral instruction that keeps curdling as the series goes on. He returned to the role in Dexter: Resurrection in 2025.

There is a substantial voice career running alongside, as Vilgax in Ben 10 and Tonraq in The Legend of Korra, and since 2009 in advertising for a luxury car brand, which has made his voice more familiar than his face to a lot of people who have never seen The Warriors.

Movies (71)

TV (22)

Where to start with James Remar

The obvious first stop is The Warriors, partly because it is a great cult film and partly because it is the purest version of young Remar: all shoulders and provocation. Then 48 Hrs., where he plays the thing the heroes are chasing and supplies the film's actual menace.

Dexter is the long television commitment, and his Harry, seen mostly in flashback, works as the show's conscience and its problem at once, which is more interesting than the premise sounds. Sex and the City is the surprise, a well-played romantic antagonist rather than a cameo. After that, treat him as a reliability signal in other people's films: The Cotton Club for the gangster in period dress, Drugstore Cowboy for the low-key nineties work, Django Unchained for the late character parts, and Ratatouille if you want proof the voice also works on a French chef.

The early hard men

A remarkable opening decade, playing violence with no charm attached. Ajax in The Warriors and Ganz in 48 Hrs. are the two that defined the type, and Drugstore Cowboy shows what he could do with a script that cared.

Dexter and the long television roles

Television gave him the parts that let him stay in one place long enough to build something. Harry Morgan across two Dexter series is the most complicated thing on his record, and Sex and the City is the one nobody predicts.

The genre and horror credits

A long working relationship with films that go straight to the shelf, several of them better than that suggests. The Blackcoat's Daughter is the genuinely good one and worth seeking out.

The voice work

Two decades of animation and games built on a voice that sounds like a threat even when reading a menu. Tonraq in The Legend of Korra is the warmest thing he has done in any medium.

Genres James Remar works in