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Hikaru Midorikawa

Hikaru Midorikawa is an actor, born 1968.

Hikaru Midorikawa comes from Otawara in Tochigi and has been with Aoni Production for most of a long career. He specialised early in one very specific young man: cold, clipped, faster than everyone around him and aware of it. Heero Yuy in Mobile Suit Gundam Wing, Kaede Rukawa in Slam Dunk, Seto Kaiba in Yu-Gi-Oh!, Marth in Fire Emblem, Zelgadis in Slayers, Ryuho in s-CRY-ed, Akihiko in Persona 3.

The interesting part is what he has done to that type since. Sakamoto in Haven't You Heard? I'm Sakamoto is the joke version, a schoolboy whose imperturbable cool is the entire premise of the show, played completely straight for twelve episodes. Garou in One-Punch Man is the violent version, the same precision with the restraint removed. Lancer in Fate/Zero is the romantic version. He is not repeating himself so much as running experiments on one register.

And he is capable of dropping it entirely. Android 16 in Dragon Ball Z is a huge, gentle machine who would rather look at birds, and Midorikawa plays him with real tenderness. Tadashi in Ghibli's Ocean Waves is an ordinary teenager with no cool at all. Elsewhere the credits sprawl: Tenshinhan across the Dragon Ball films and Kai, Lin in Cowboy Bebop, Thor in Record of Ragnarok, Zora Ideale in Black Clover, Gridman in both Gridman the Hyper Agent and SSSS.GRIDMAN, Fiore in a Sailor Moon film, and a small part in the animated sequence of Kill Bill: Vol. 1.

Movies (60)

TV (122)

Where to start with Hikaru Midorikawa

The fastest introduction is One-Punch Man. Garou arrives in the second season as the show's best antagonist and Midorikawa gives him a voice that is calm right up until it is not, which is the whole character.

For the classic version, Mobile Suit Gundam Wing is where the type was set, a teenage pilot who barely speaks and is terrifying anyway. Yu-Gi-Oh! is Kaiba, the same arrogance played for melodrama, and it is enormous fun.

Then the counter-programme. Haven't You Heard? I'm Sakamoto is a comedy built entirely from the persona and is probably the funniest thing on the list. Ocean Waves is a quiet Ghibli television film where he plays an ordinary boy. Dragon Ball Z has Android 16, which is the gentlest work he has done, and Cowboy Bebop and Record of Ragnarok are the two extremes of how loud he can get.

The classics

Thirty-five years of work, and this is where it starts. Ocean Waves is the Studio Ghibli television film almost nobody has seen, and it is the most naturalistic thing anywhere on his list by a distance.

The rival archetype

The cool, slightly distant character he has been cast as for three decades. Lancer in Fate/Zero is the most sympathetic version, a man whose entire problem is that he keeps behaving honourably. The Key adaptations use the same voice for warmth.

The recent and the comic

Sakamoto is the joke version of everything he has ever been cast as, a high-school student so composed that the show tips into the surreal. SK8 the Infinity and The Eminence in Shadow are the recent series worth watching.

Genres Hikaru Midorikawa works in