CrossBinge
Finding 41.241 movie posters in the basement

Harvey Korman

Harvey Korman is an actor, born 1927.

Television spent most of the 1960s using Harvey Korman in small doses: The Donna Reed Show, Dennis the Menace, Gidget, F Troop, a turn on The Munsters, and, in cartoon form, The Great Gazoo on The Flintstones. He was a Chicago native, born in 1927, and a featured spot on The Danny Kaye Show was the break that moved him up the bill.

Then came ten years on The Carol Burnett Show, from 1967, work that won him Emmys and made him one of the few sketch performers whose job was mostly listening. Korman's speciality was pomposity with a slow leak in it. He would begin a sketch as the dignified one, the authority, the straight man, and then visibly lose the argument with his own face. Watching him try to hold a scene together while it collapses is the entire appeal, and it made everyone around him funnier than they would have been alone.

Mel Brooks took that quality to the movies. Hedley Lamarr in Blazing Saddles (1974) is the performance people quote, a villain whose vanity is the joke and whose diction is the delivery system. Dr. Charles Montague in High Anxiety (1977), Count de Monet in History of the World: Part I (1981) and Dr. Jack Seward in Dracula: Dead and Loving It (1995) complete that partnership.

The later credits are a mixed bag of paycheques and oddities: Professor Auguste Balls in two Pink Panther films, Herbie Goes Bananas, The Flintstones in live action in 1994, Jingle All the Way, and a genuinely peculiar afternoon in The Star Wars Holiday Special. He died in 2008.

Movies (21)

TV (17)

Where to start with Harvey Korman

Blazing Saddles is the entry point and there is no argument to be had about it. Hedley Lamarr is Korman playing a man who believes he is in a much more dignified film, and the gap between his self-regard and the movie around him is where the comedy lives.

From there, High Anxiety and History of the World: Part I fill in the Brooks partnership, the first more controlled, the second more indulgent. The Carol Burnett Show is the real body of work though, and the sketches show the skill that the films only borrow. The Flintstones is a low-effort delight for anyone with affection for The Great Gazoo. Dracula: Dead and Loving It is late and thin. The Star Wars Holiday Special is not good, and is essential viewing anyway, for reasons nobody has ever satisfactorily explained.

Genres Harvey Korman works in