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Haruka Tomatsu

Haruka Tomatsu is an actor, born 1990.

Tomatsu has been working since at least 2008, when To Love Ru and Inazuma Eleven both put her on the schedule, and she has been a lead almost continuously since. She records for MusicRay'n, sings as well as acts, and collected institutional approval early: Rookie of the Year at the 3rd Seiyu Awards, then the Synergy Award at the 9th.

She is a heroine specialist, which sounds like faint praise and is not. Asuna in Sword Art Online is the load-bearing performance of a franchise that would sag badly without her, and she has carried it through the television run, Ordinal Scale, and both Progressive films. Zero Two in Darling in the Franxx is a harder assignment, a character assembled almost entirely out of provocation, and Tomatsu finds the child underneath without blunting the edge. Kyoko Hori in Horimiya is the relaxed setting, comedy timing at conversational volume.

Her finest acting is in a smaller show. Naruko Anjo in Anohana spends the whole story loudly not saying the one thing she needs to say, and Tomatsu plays the gap between the two so precisely that it does much of the series' emotional work by itself.

A quieter register exists as well: Iris Cannary across Violet Evergarden and its films, Shizuku Mizutani in My Little Monster, Megumi Shimizu in Shiki. So do the villains, Mary Sioux in Saga of Tanya the Evil among them. Nearly two hundred credits in, she is still cast at the front.

Movies (57)

TV (129)

Where to start with Haruka Tomatsu

Two entry points, depending on what you want from her. For the acting, Anohana: The Flower We Saw That Day: Anaru is the hardest part in a small, brutal show, and the performance is all deflection with the real feeling leaking out sideways.

For the franchise, Sword Art Online. The series is wildly uneven and Asuna is a large part of what holds it together, so watch the first arc and judge her rather than the writing. DARLING in the FRANXX is the divisive one, worth it for how much she gets out of Zero Two.

Then the range. Horimiya is her at ease and funny. Violet Evergarden puts her in a supporting slot in the most beautiful thing on her list. My Little Monster is the underrated romance, Saga of Tanya the Evil the sharpest antagonist work, and To Love Ru the early credit that explains how she got typed as a lead in the first place.

Sword Art Online

Asuna is the role she is most identified with, across the series and four films, and the Progressive films go back and rebuild the character from the beginning with considerably more care than the original had.

The dramatic work

Anaru in Anohana is the better performance and the one that hurts, a teenager carrying guilt she cannot name. Violet Evergarden and Shiki are the other places the serious register gets used properly.

The genre leads

Zero Two in Darling in the Franxx is the most demanding vocal work here, a character pitched somewhere between predator and child. Horimiya is the warm one and To LOVE-Ru is the early lead that established her.

Genres Haruka Tomatsu works in