Eric Kripke
Eric Kripke is a writer, born 1974.
Two shows define Eric Kripke and they could not be less alike in temperament. The earliest series credit on his record is Tarzan in 2003, which came and went, and then he created Supernatural for The WB in 2005 and ran it as showrunner for five seasons.
The thing he is unusually good at is designing a format that survives him. Supernatural kept going until 2020, meaning it ran roughly twice as long without him in charge as with him, which is not a knock: he built a case-of-the-week engine around a small fixed cast, and the machine kept working after the mechanic left. He also let it spawn an animated version, Supernatural: The Anime Series, in 2011.
The middle stretch is the honest part of the record. Revolution ran from 2012 to 2014 and Timeless from 2016 to 2018. Both were high-concept network shows with premises you could pitch in a sentence, and both got two years. He is not infallible at this.
Then The Boys, from 2019 to 2026, which is the pivot: from earnest genre storytelling to something meaner and funnier, a satire that keeps finding new things to be angry about, with Gen V following in 2023 to extend it. Every credit on his record is television. There is no feature work in it at all, and given how his sensibility works, that looks like a choice rather than an accident.
TV (8)
Where to start with Eric Kripke
Chronological order works for once, because the two halves of his career explain each other.
Start with the first five seasons of Supernatural, the run he actually ran. That is the show as designed: a closed mythology, a case per week, a tiny regular cast, and a plan that had an ending. What came after he left is a different show wearing the same jacket, and it is fine, but it is not his.
Then The Boys, which is the same writer twenty years angrier. The satire lands harder if you have seen the earnest version first, because you can watch him dismantle exactly the sincerity he used to trade in. Gen V extends that world onto a campus and is the better of the spinoffs.
Timeless and Revolution are for completists. Both are competent network science fiction that never found the second gear, and both are short enough to be worth a look if the premise appeals. Supernatural: The Anime Series is a curiosity and nothing more.