Dyan Cannon
Dyan Cannon is an actor, born 1937.
Dyan Cannon had been working since 1960, in television and in pictures like The Rise and Fall of Legs Diamond, but the career people remember starts in 1969 with Alice Henderson in Bob & Carol & Ted & Alice, a comedy about two couples talking themselves into an open marriage. She was nominated three times for an Academy Award across the years that followed, and picked up a Golden Globe along the way.
What she does better than almost anyone of that era is nervous comedy. Her characters are usually the most highly strung person in the room, and she plays the strain rather than the punchline, letting the laugh come out of somebody trying very hard to hold themselves together. Heaven Can Wait is the perfect use of it, with Julia Farnsworth conspiring against her husband while performing wifely devotion at full volume. Deathtrap asks for something similar from Myra Bruhl. The Last of Sheila drops her into an ensemble of Hollywood people playing a cruel puzzle game on a yacht, and she is the funniest thing on the boat.
The eighties and nineties turned her into a comic supporting player, in Author! Author!, Caddyshack II, Out to Sea, 8 Heads in a Duffel Bag and Kangaroo Jack. Television then gave her a late run as Whipper Cone, the judge in Ally McBeal, which introduced her to an audience that had missed the first act entirely.
Movies (20)
- Kangaroo Jack (2003)
- Bob & Carol & Ted & Alice (1969)
- Revenge of the Pink Panther (1978)
- Heaven Can Wait (1978)
- Night of 100 Stars II (1985)
- Out to Sea (1997)
- The Burglars (1971)
- Hope's Legacy (2021)
- The Anderson Tapes (1971)
- Caddyshack II (1988)
- 8 Heads in a Duffel Bag (1997)
- That Darn Cat (1997)
- Deathtrap (1982)
- The Last of Sheila (1973)
- Natalie Wood: What Remains Behind (2020)
- The Rise and Fall of Legs Diamond (1960)
- Author! Author! (1982)
- The Pickle (1993)
- Honeysuckle Rose (1980)
- Mickey's 50 (1978)
TV (6)
Where to start with Dyan Cannon
Bob & Carol & Ted & Alice is where to start, and it holds up better than most 1969 satire because the jokes are about embarrassment rather than sex.
Then Heaven Can Wait, the most purely enjoyable use of her: broad, fast, and playing scheming as a form of barely controlled panic. The Last of Sheila is the connoisseur's pick, a genuinely tricky puzzle film full of people who all deserve what they get, and Deathtrap sits beside it as the stagier thriller, adapted from a hit play and enjoying its own cleverness.
The Anderson Tapes shows the straighter early seventies version, Revenge of the Pink Panther puts her opposite Peter Sellers, and Ally McBeal is the late career return that most younger viewers will recognise her from.