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Cary Elwes

Cary Elwes is an actor, born 1962.

Cary Elwes was born in London to the portrait painter Dominick Elwes and the designer Tessa Kennedy, went to Harrow, then crossed the Atlantic to study drama at Sarah Lawrence and left after two years to start working. His first film was the 1984 public-school drama Another Country, and by 1987 he was Westley in The Princess Bride, which is the sort of thing that fixes a face in the public memory for forty years.

What makes that performance work is the choice underneath it: everyone else in the film is winking and Elwes plays it dead straight, a swashbuckling hero with no irony at all, which is precisely what lets the jokes land around him. He spent the next decade being asked to do variations on it, sometimes brilliantly (Robin Hood: Men in Tights, Hot Shots!), sometimes as decoration in other people's blockbusters (Glory, Bram Stoker's Dracula, Twister, Liar Liar). His accolades include a Screen Actors Guild nomination and two Satellite nominations.

The second act arrived in 2004 with Saw, where he played Dr. Lawrence Gordon at full melodramatic pitch and became a fixture of a horror franchise he would return to in Saw 3D. Since then he has been a busy character actor with excellent comic timing, playing an art thief on Psych, a corporate hatchet man in BlackBerry, and Denlinger across two Mission: Impossible films. He is often the best thing in mediocre pictures, which is an underrated career.

Movies (74)

TV (11)

Where to start with Cary Elwes

Begin with The Princess Bride, not out of obligation but because his sincerity is the load-bearing wall of the whole film. Then go straight to Robin Hood: Men in Tights to see him demolish the same persona on purpose.

For the horror turn, Saw is where he goes fully, gloriously over the top, and it explains the rest of his 2000s. Bram Stoker's Dracula and Glory are the period-drama Elwes, handsome and slightly stranded but entirely correct in both.

The best recent argument for him is BlackBerry, where he plays a smooth executive with real menace under the charm, and Psych, where his recurring art thief is the funniest thing he has done since the early nineties. Liar Liar is a reminder that he can be an excellent straight man in someone else's comedy.

The leading-man years

Six years when he was cast as the handsome one and quietly turned out to be funnier than that. Another Country and Lady Jane are the serious period roles, Glory is the best of the dramas, and The Princess Bride is the whole thing at once.

The comedy and the parody

Mel Brooks understood the joke first: cast the actual swashbuckler and let him play it straight. The comic work since has been the most consistent thread in the career, and Psych is where the timing gets the most room to operate.

The horror years

Saw put him in horror permanently, which was not an obvious destination for this actor and has worked out well for both sides. Shadow of the Vampire is the best film of the group and the one furthest from the franchise work.

Genres Cary Elwes works in