Carolyn Jones
Carolyn Jones is an actor, born 1930.
Carolyn Jones spent the first half of the 1950s at the edge of other people's frames: a small part in House of Wax in 1953, another in The Big Heat the same year, Miss Finch in The Seven Year Itch in 1955. Then 1956 handed her two films that outlived almost everything else made that year, Invasion of the Body Snatchers and Hitchcock's remake of The Man Who Knew Too Much, and the parts started getting bigger.
What she had was a face that read as knowing. Directors used her for the woman who has already understood the situation while everyone else is still catching up, which is why she works so well inside a paranoia picture, and it is what earned her an Academy Award nomination for Best Supporting Actress for The Bachelor Party in 1957. She won a Golden Globe as a new star for Marjorie Morningstar, and the film career ran on for another two decades: Elvis Presley's King Creole in 1958, Frank Sinatra in A Hole in the Head in 1959, the sprawling How the West Was Won in 1962.
Then 1964, and Morticia Addams, and a career permanently reorganised around two seasons of a black-and-white sitcom. The role followed her: she voiced Morticia again in Scooby-Doo crossovers in 1972. Everything after was guest work, which she did constantly and well. Marsha, Queen of Diamonds on Batman in 1966. Queen Hippolyta on Wonder Woman in 1975. Mrs. Moore in Roots in 1977. Fantasy Island in 1978. The latest dated credit here is the soap Capitol in 1982; she died the following year.
Movies (19)
- Invasion of the Body Snatchers (1956)
- House of Wax (1953)
- The Seven Year Itch (1955)
- How the West Was Won (1962)
- Last Train from Gun Hill (1959)
- The Man Who Knew Too Much (1956)
- Eaten Alive (1976)
- The Big Heat (1953)
- Road to Bali (1952)
- The Opposite Sex (1956)
- King Creole (1958)
- Heaven with a Gun (1969)
- Désirée (1954)
- A Hole in the Head (1959)
- The Tender Trap (1955)
- Creepy Classics (1987)
- The Turning Point (1952)
- Scooby-Doo Meets The Addams Family (1972)
- Marjorie Morningstar (1958)
TV (24)
- Dragnet (1951)
- Batman (1966)
- Fantasy Island (1978)
- Capitol (1982)
- The Addams Family (1964)
- Roots (1977)
- The Millionaire (1955)
- Wonder Woman (1975)
- Studio 57 (1954)
- The New Scooby-Doo Movies (1972)
- Mr. & Mrs. North (1952)
- The Dick Powell Show (1961)
- The Pepsi-Cola Playhouse (1953)
- Ghost Story (1972)
- Dan August (1970)
- Bracken's World (1969)
- Panic! (1957)
- Chevron Theatre (1952)
- The Lloyd Bridges Show (1962)
- The Jazz Age (1968)
- City Detective (1953)
- Treasury Men in Action (1950)
- The French Atlantic Affair (1979)
- The Danny Thomas Hour (1967)
Where to start with Carolyn Jones
Start with Invasion of the Body Snatchers. It is the best film she appears in, it is short, and her role sits at exactly the point where the picture's dread stops being theoretical. Follow it with The Man Who Knew Too Much for the contrast: same year, same actress, a big studio thriller where she gets one good scene and makes it count.
For the role that fixed her in public memory, The Addams Family holds up better than most 1960s sitcoms, largely because Jones plays Morticia entirely straight. There is no winking. That decision is why the character survived into every version since.
Marjorie Morningstar shows the dramatic career the industry briefly bet on. King Creole is the best film Elvis Presley ever made and she is good in it. Batman is where you find her plainly enjoying herself. House of Wax is worth an evening more for its 3D horror craft than for her part in it.