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Brian Cox

Brian Cox is an actor, born 1946.

Brian Denis Cox was born in Dundee in 1946 and trained as a classical Shakespearean, which is the fact that explains almost everything about how he sounds. He holds two Laurence Olivier Awards for stage work, plus a Primetime Emmy for a supporting role in a miniseries, a Golden Globe, and two British Academy Television Award nominations. He was appointed Commander of the Order of the British Empire in the 2003 New Year Honours.

On screen he has spent forty years playing men who decide things. Manhunter in 1986 gave him an early lead played with a chilling, amused stillness. After that the roles arrived in a steady procession of authority: Argyle Wallace in Braveheart, Agamemnon in Troy, Ward Abbott across two Bourne films, Melvin Belli in Zodiac, the executive in Rise of the Planet of the Apes. The register is always the same underneath, a man with more information than the person he is talking to, and complete comfort about it.

What is easy to miss is how funny he is when someone lets him be. Super Troopers, The Campaign, Rushmore and Adaptation all use him for comic authority, and he plays it beautifully dry. The Autopsy of Jane Doe is the sleeper: a small horror film set almost entirely in one room, and he anchors it with a level of seriousness the budget did not deserve.

Then, in his seventies, came Succession, and a man who had been a working character actor since the 1960s became internationally famous for the first time. It is a very late arrival at leading-man status, and he has taken it with obvious relish.

Movies (92)

TV (27)

Where to start with Brian Cox

Most people come to him through Succession, and that is a reasonable place to start: it is the fullest use anyone has ever made of him, and it takes the authority he had been renting out for decades and puts it at the centre of the frame.

Work backwards from there. Manhunter is the early lead and it is remarkable how little he raises his voice. The Bourne Identity gives you the professional version, all clipped competence, and 25th Hour is where he does something warmer and rarer, playing a father with nothing useful left to offer.

The Autopsy of Jane Doe is the one nobody expects, a two-hander in a morgue that he takes completely seriously. For the comic side, Adaptation. and Rushmore are both perfect and both brief. Braveheart is the big historical payday, and he gets the film's one genuinely tender scene out of it.

Succession and the late career

Logan Roy arrived when he was seventy-two and is the best part he has been given, a man whose entire authority runs on other people's fear of disappointing him. The Autopsy of Jane Doe is the small horror film worth finding.

The great supporting turns

Manhunter made him the first screen Hannibal Lecter, cold and administrative rather than theatrical. 25th Hour contains the monologue that is comfortably the finest thing he has done on film.

The blockbusters

Cox has spent decades being the authority figure large films need in order to function. The two Bourne pictures are the best use of it, and Braveheart is where a whole generation first registered the voice.

Genres Brian Cox works in