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Anjelica Huston

Anjelica Huston is an actor, born 1951.

Huston is the third generation of a film family, daughter of the director John Huston and granddaughter of the actor Walter Huston, and she spent years trying not to be in the business at all. Her debut came in her father's A Walk with Love and Death (1969) and she made it reluctantly. She then moved to New York, modelled through the 1970s, and did not commit to acting until she was past thirty.

The commitment paid off almost at once. Prizzi's Honor (1985), directed by her father, won her the Academy Award for Best Supporting Actress and made her the third member of the family to take one. Two further nominations arrived quickly, for Enemies, A Love Story and The Grifters, in which she plays a con artist who has run out of moves and knows it.

Her speciality is women who have already made up their minds. Huston does not play deliberation. She plays a decision taken off screen that will not be revisited, and she can deliver a line of dismissal better than almost anyone alive. Morticia Addams is the popular version, elegant and unbothered and completely in love. The Grand High Witch in The Witches is the terrifying one. Etheline Tenenbaum is the wounded one, and Wes Anderson has used her four times because she can hold a frame without appearing to do anything in it.

She has six Primetime Emmy nominations, a Hollywood Walk of Fame star from 2010, and a late run as The Director in the John Wick films, presiding over a ballet academy with a knife in her voice. It is a good place for her: a small part built entirely on the assumption that everyone in the room is already frightened of her.

Movies (63)

TV (13)

Where to start with Anjelica Huston

The Grifters is the serious answer. It is the best performance she has given, a cold noir about a woman who has been running a long game for too many years, and nothing in her lighter work prepares you for it.

For the version most people love, The Addams Family is a perfect piece of comic casting and she is plainly having a wonderful time. The Witches is the childhood-scarring classic, and it is still frightening. Prizzi's Honor is the Academy Award and worth it for the accent alone. Then the Wes Anderson strand: The Royal Tenenbaums first, The Life Aquatic with Steve Zissou second. John Wick: Chapter 3 - Parabellum is the late cameo that reintroduced her to a new audience.

The Huston years and the crime films

Her father directed her to an Oscar in Prizzi's Honor and then to his own final film in The Dead. The Grifters is the harder performance, a con artist mother who is genuinely frightening, and it got a second nomination.

The Wes Anderson films

Four films with Anderson, who casts her as the woman holding a collapsing household together and refusing to explain herself. Etheline in The Royal Tenenbaums is the best of them and the warmest thing in that film.

The family films and voice work

Morticia Addams is the role that made her permanent and the sequel is the funnier film. The Witches terrified an entire generation, and the recent John Wick films give her a ballet-school crime boss played completely straight.

Genres Anjelica Huston works in