Amanda Wyss
Amanda Wyss is an actor, born 1960.
Two of the most quoted American teen films of the 1980s have Amanda Wyss in them. She was Lisa in Fast Times at Ridgemont High in 1982, part of the ensemble that turned Cameron Crowe's book into the template for the decade, and Beth in Better Off Dead in 1985. In between came the credit that made her a permanent fixture of an entirely different genre.
In A Nightmare on Elm Street she plays Tina Gray, the friend whose nightmare opens the film and whose bedroom becomes the setting for the sequence everyone remembers. Her contribution to it is routinely underrated: the terror has to be legible before any of the effects work is, and it is the performance that sells the idea of something doing this to her rather than of an actor falling over.
The rest of the 1980s and 1990s spread out from there. Phoebe in Silverado, the investigative reporter Randi across 1992 and 1993 on Highlander: The Series, Bridgit Cagney in Cagney & Lacey, Dana in My Two Dads, Nova in the short-lived science fiction series Otherworld, and two episodes of Cheers as Woody's ex-girlfriend Beth.
She never left. The recent decades have gone largely to independent horror, where being an Elm Street original carries real weight: Big Legend, The Hatred, The Sandman, Badland, The Graves. She also appears in Never Sleep Again, the exhaustive documentary about the film that will not let her go.
Movies (15)
- A Nightmare on Elm Street (1984)
- Fast Times at Ridgemont High (1982)
- Silverado (1985)
- Badland (2019)
- Better Off Dead... (1985)
- Never Sleep Again: The Elm Street Legacy (2010)
- The Sandman (2017)
- Big Legend (2018)
- Deadly Impact (2010)
- The Graves (2010)
- The Capture (2017)
- Shakma (1990)
- The Hatred (2017)
- It Happened Again Last Night (2017)
- Strategic Command (1997)
TV (6)
Where to start with Amanda Wyss
A Nightmare on Elm Street is the one, and it is worth watching for the opening stretch alone. Tina is the audience's way into the film's logic, and everything the series later builds out of dream rules is established through her.
For contrast, put Fast Times at Ridgemont High next. It is a comedy with an unusually cold eye, Wyss sits in the ensemble rather than at the centre, and seeing her in a naturalistic register two years earlier changes how the horror performance reads. Better Off Dead... is the silliest thing here and the most rewatchable.
Silverado is the odd one out, a big-cast Western where she gets a handful of scenes in a very good film, and Highlander: The Series is the sustained television work.
If you want the documentary version of all this, Never Sleep Again: The Elm Street Legacy is the definitive account of the franchise, with Wyss among the many talking heads.